9
Matthew

Fasting and the New Cloth and Wineskins

Matthew 9:14-17
14Then the disciples of John came near to him, saying, "Why do we and the Pharisees fast much, but your disciples do not fast?" 15And Jesus said to them, "The sons of the bridegroom cannot mourn as long as the bridegroom is with them, can they? But days will come when the bridegroom is taken away from them, and then they will fast. 16No one puts a patch of unshrunk cloth on old clothing, for its fullness pulls away from the garment, and a worse tear results. 17Nor do people put new wine into old wineskins; otherwise the wineskins burst, the wine is poured out, and the wineskins are ruined. But they put new wine into new wineskins, and both are preserved."

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Cross-references

Study notes

The inquiry from John's disciples exposes a deeper mismatch between established religious observance and the reality introduced by Jesus' presence. Rather than defending the disciples' conduct on grounds of superior piety, the reply anchors the timing of fasting in the bridegroom's companionship and its future removal. The two comparisons that follow press the point through material images: an unshrunk patch strains an old garment until it tears further, and new wine bursts old skins, destroying both. Only when new wine is placed in new skins are both preserved. Together these elements shift the focus from questions of frequency or motive to the structural incompatibility between prior patterns and the new situation created by the one standing before them.

What is Fasting and the New Cloth and Wineskins about?

In Matthew 9:14 the disciples of John approach Jesus with a direct question: why do they and the Pharisees fast often while his disciples do not. The scene follows at once upon the meal Jesus shared with tax collectors and sinners, where he answered objections to his table companions by speaking of mercy rather than sacrifice. The new inquiry therefore continues the same line of scrutiny, now focused on a different mark of religious observance.

The central tension lies in the timing of fasting. Jesus replies that the sons of the bridegroom cannot mourn while he is present, yet he adds that days are coming when the bridegroom will be taken away and fasting will then occur. He follows this with two short comparisons: an unshrunk patch on old cloth and new wine in old wineskins. Both images highlight the risk of mismatch between what is established and what is arriving.

Placed here, the unit shows how questions about Jesus' conduct accumulate in these chapters. Each encounter with religious expectation produces a fresh clarification of why his disciples act as they do, without yet spelling out the full shape of what will replace older patterns.

Where does this passage sit in Matthew?

This unit sits directly after the account of Jesus eating with tax collectors and sinners in 9:9-13. That earlier exchange ended with a quotation from Hosea about mercy rather than sacrifice, spoken in defense of table fellowship. The question about fasting in 9:14 therefore extends the same pattern of scrutiny, shifting attention from one religious practice to another while keeping the focus on the conduct of Jesus' disciples. The immediate sequel in 9:18-26 moves without pause into two healing stories that again display Jesus' authority over sickness and death. The sequence places the fasting dialogue between an act of inclusive table fellowship and demonstrations of restorative power, so that the bridegroom saying and the two short comparisons function as a hinge rather than an isolated saying.

Within the larger stretch of chapters 8 and 9, Matthew groups a series of encounters that repeatedly bring Jesus into contact with people outside conventional religious boundaries. Each episode records either a challenge to his actions or an implicit question about his identity. The fasting pericope continues that chain by introducing a new objection from John's disciples, yet it also anticipates the later Sabbath controversies in chapter 12, where similar disputes over lawful observance recur. The two images of cloth and wineskins echo the earlier emphasis on what is old and what is new, language that surfaces again when Jesus speaks of the kingdom in the parables of chapter 13. By locating the dialogue here, the narrative keeps the tension between established practice and the presence of the bridegroom alive across several scenes rather than resolving it at once.

How is the passage structured?

The unit opens with a single direct question in 9:14 that names two groups who fast much and contrasts them with Jesus’ disciples. Jesus’ reply in 9:15 does not begin with an explanation but with a rhetorical question that expects a negative answer, then pivots at the word “but” to a future clause that introduces the bridegroom’s removal. That single future reference creates the only explicit temporal break in the passage. The two comparisons that follow each unfold in the same three-part sequence: a negative statement of what is not done, a description of the resulting damage, and, in the wineskin saying alone, a closing positive clause that states what is done instead. The patch illustration stops at the worsened tear, leaving the damage as its final note. The wineskin illustration repeats the damage sequence but then supplies the matching action that preserves both wine and skins. The movement therefore proceeds from one spoken exchange to two parallel images whose internal structures grow slightly longer and more complete, the second image supplying the resolution the first withholds. No further speech or action interrupts the sequence once the final clause of 9:17 ends.

What is the historical background?

Fasting formed a regular part of Jewish religious life in the first century, especially among the Pharisees, who observed it twice each week as an expression of piety and devotion to the law. The disciples of John likewise practiced frequent fasting, consistent with the ascetic discipline associated with their teacher’s wilderness ministry. These observances were public enough that the absence of fasting among Jesus’ disciples stood out as a noticeable departure from expected patterns of religious seriousness.

Wedding customs supply the immediate frame for Jesus’ first image. A marriage celebration in Galilee typically lasted seven days or more, during which the bridegroom’s companions shared in continuous feasting and joy. Mourning or self-denial during those days would have contradicted the social expectation that the entire wedding party rejoice while the bridegroom remained present. The phrase “sons of the bridegroom” points to these close attendants rather than literal sons, reflecting ordinary language for participants in the festivities.

The two short comparisons that follow draw on everyday material realities of the period. Cloth woven from new wool or linen would still contain natural oils and would shrink when washed; sewing such material onto an older, already washed garment produced uneven tension and tore the fabric further. Likewise, fermentation of new wine generated expanding gases that older, less flexible goatskin containers could not accommodate; the skins split and both wine and container were lost. Fresh skins, by contrast, retained enough elasticity to hold the pressure. These observations belonged to ordinary household knowledge rather than specialized craft.

No significant textual variants affect the wording of these verses in the earliest manuscripts, so the passage stands without the need for extended discussion of transmission history.

What does this passage teach about God?

The passage centers the question of fasting on the presence or absence of Jesus himself. His reply does not defend the disciples’ practice by appealing to greater devotion or different motives; instead it ties the appropriateness of mourning directly to whether the bridegroom remains with his companions. Fasting belongs to the time after he is taken away. This makes the person of Jesus the measure of religious observance rather than any standing custom shared with John’s disciples or the Pharisees.

The two comparisons that follow develop the same claim through images of incompatibility. An unshrunk patch tears the old garment further because its fullness works against the fabric already in place. New wine bursts old wineskins because the fermenting liquid exceeds what the skins can contain. Both pictures insist that the reality Jesus brings cannot be inserted into prior forms without loss to both. The new element requires its own setting if anything is to be preserved.

In this light the mission of Jesus appears as the introduction of a decisive shift in how God relates to his people. The presence of the bridegroom signals a season in which joy rather than mourning is the fitting response; the coming removal of the bridegroom will reopen the place for fasting. The illustrations reinforce that this shift cannot be managed by simple addition or repair. Attempts to keep the old containers intact while pouring in what is new end in rupture and waste.

The passage therefore presents human beings as those who must reckon with a change they did not initiate. The questioners assume continuity between their practices and those of Jesus’ disciples; the answer shows that continuity has already been broken by the one standing before them. Discipleship in this setting means recognizing that the time marked by Jesus’ presence demands its own forms of response, forms that cannot be reduced to the patterns that preceded it.

What are the interpretive difficulties?

The question posed by John’s disciples in 9:14 raises a point the narrative leaves unresolved: whether their inquiry stems from genuine perplexity or from alignment with the Pharisees’ earlier objection to Jesus eating with tax collectors and sinners. The text records only the words spoken, without supplying motive or tone, so readers must weigh the possibility that the timing of the question itself functions as continued scrutiny rather than neutral curiosity.

Jesus’ reply in 9:15 states that the sons of the bridegroom cannot mourn while the bridegroom remains, yet it also asserts that days will come when the bridegroom is taken away and fasting will follow. The passage does not clarify how soon those days arrive or what form the fasting will take, leaving open whether the future practice is meant to resume the same frequency and manner as before or to mark a distinct response to absence. The two comparisons that follow sharpen a different tension: the unshrunk patch tears the old garment further, and new wine bursts old wineskins. Both images underscore incompatibility, yet the second ends by noting that new wine and new wineskins together preserve both. This detail invites reflection on whether the new reality Jesus introduces simply discards prior forms or requires entirely separate containers while still valuing what is preserved.

A further silence concerns the disciples themselves. The text never states whether they later adopted fasting or continued without it, so the passage stops short of prescribing conduct for later readers. It registers the mismatch between established practice and the presence of the bridegroom without resolving how communities should navigate that mismatch once the immediate scene has passed.

Movement by movement

The Question About Fasting9:14

John’s disciples come near with a single pointed question that names two groups who fast much and sets their practice against the conduct of Jesus’ own followers. The timing places this inquiry immediately after the meal with tax collectors and sinners, so the same pattern of scrutiny continues, now shifting from table companions to a different mark of religious observance. Their wording draws the Pharisees and John’s circle together as those who maintain the expected rhythm of fasting, while the absence among Jesus’ disciples stands out as a visible departure. The question itself supplies no tone or motive, leaving open whether it arises from genuine confusion or from alignment with the objections already voiced in the preceding scene. By framing the issue as a comparison of observable practice, the disciples of John locate the tension squarely in the timing and presence of Jesus rather than in motives or degrees of devotion.

The Bridegroom's Presence9:15

Jesus answers by directing attention to the bridegroom’s presence with his companions. The sons of the bridegroom cannot mourn, he asks, as long as the bridegroom is with them. The rhetorical question carries its own answer: mourning has no place while the celebration continues. This reply meets the inquiry about fasting without defending the disciples’ conduct on its own terms. Instead it relocates the issue to the decisive fact of the bridegroom’s company. The pivot introduced by but then opens a different horizon. Days will come when the bridegroom is taken away from them, and then they will fast. That future clause stands as the only explicit temporal marker in the exchange. It acknowledges that fasting will have its proper time, yet it ties that time strictly to the bridegroom’s removal rather than to any ongoing schedule shared with John’s disciples or the Pharisees. The present moment therefore remains defined by joy that excludes mourning, while the coming separation will alter what practice is fitting.

Unshrunk Cloth on Old Garment9:16

The first illustration Jesus offers turns on the behavior of cloth that has not yet been washed. No one puts a patch of unshrunk cloth on old clothing, for its fullness pulls away from the garment, and a worse tear results. The sentence moves in three steps that match the pattern already visible in the bridegroom saying: a blunt negative rule, a description of what actually happens under strain, and the worsened outcome. The key term is fullness, which names the expansion that occurs once the new patch absorbs water. That expansion does not strengthen the old garment; it exposes the weakness at the seam and enlarges the hole. In narrative sequence the image follows directly on the claim that the sons of the bridegroom cannot mourn while the bridegroom remains. The patch therefore functions as a concrete demonstration of why the disciples’ present conduct cannot be treated as a minor variation within existing fasting practice. The old garment stands for the accustomed pattern of religious observance; the unshrunk patch stands for the new reality attached to Jesus’ presence. Once joined, the two pull apart because their responses to time and circumstance differ in kind, not in degree. The result is not a repaired garment but a larger tear, underscoring that the incompatibility is structural rather than merely customary.

New Wine and Wineskins9:17

The second comparison opens with the same negative pattern already used for the cloth: people do not put new wine into old wineskins. The text then spells out the result in three linked actions—the skins burst, the wine pours out, and the skins themselves are ruined—showing that the mismatch destroys both elements rather than preserving either. The positive clause that follows reverses the outcome: new wine goes into new wineskins, and both are preserved." This outcome differs from the cloth image, where only damage is described; here the right pairing actively safeguards the wine and its container. In narrative sequence the verse therefore moves from the impossibility of combining old forms with the new reality introduced by the bridegroom’s presence to the necessity of fresh containers that can hold what is coming. The detail that both are kept safe underscores that the new situation does not merely replace the old but requires structures capable of containing it without loss.

Notes accompany the Anselm Project Bible, an AI translation from the original languages. Tap any verse above for the committee's word-level decisions.

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