55
Psalm

Psalm 55

Psalm 55:1-23
For the one who conducts, with music, a Maskil of David. 1Give ear, O God, to my prayer, and do not hide yourself from my supplication. 2Attend to me and answer me; I roam about in my complaint and I make a noise. 3Because of the voice of the enemy, because of the pressure of the wicked—for they bring down evil upon me, and in anger they hate me. 4My heart trembles within me, and the terrors of death have fallen upon me. 5Fear and trembling come upon me, and shuddering covers me. 6And I said, "Who will give me a wing like a dove, that I may fly away and dwell?" 7Behold, I would remove far away to wander; I would lodge in the wilderness. Selah. 8I hasten my escape from the rushing wind, from the tempest. 9Swallow them up, O Lord; divide their tongues, for I have seen violence and strife in the city. 10Day and night they go around her walls, and evil and trouble are within her. 11Desire is within her, and oppression and deceit do not depart from her streets. 12For it is not an enemy who taunts me—nor one who hates me who has magnified himself against me—from whom I would hide. 13But you are a man of my own rank, my close companion, and my familiar friend, 14with whom we once took sweet counsel together in the house of God as we walked in the throng. 15Let desolation come upon them; let death fall on them; let them go down alive to Sheol, for evils are in their dwelling place, in their midst. 16As for me, I call to God, and the LORD saves me. 17Evening and morning and at noon I complain and moan, and he hears my voice. 18He redeems my soul in peace from the battle that is against me, for many are arrayed against me. 19God hears and afflicts them—the one who has dwelt from of old. Selah. They have no changes, and they do not fear God. 20He has stretched out his hands against his allies; he has broken his covenant. 21His speech was smoother than butter, yet war was in his heart; his words were softer than oil, yet they were drawn swords. 22Cast your burden upon the LORD, and he will sustain you; he will never permit the righteous to be shaken. 23But you, O God, will bring them down into the pit of destruction; bloody and deceitful men shall not live out half their days, but I will trust in you.

Key words in this passage

Cross-references

Study notes

The psalm unfolds a prayer shaped by the voice of an enemy and the deeper wound of betrayal by one who once shared counsel in the house of God. Physical trembling and the longing for a dove’s wing to flee give way to direct petition against the city’s violence and the companion’s deceitful speech. Yet the speaker returns repeatedly to calling on God at evening, morning, and noon, declaring that the Lord saves and sustains the righteous who cast their burden upon him while the treacherous face destruction.

What is Psalm 55 about?

Psalm 55 begins with a direct appeal that God give ear to prayer and not hide from supplication. The speaker roams about in complaint and makes noise because of the enemy's voice and the pressure of the wicked, who bring down evil and hate in anger. Heart trembling and terrors of death follow, along with fear, trembling, and shuddering that covers the one praying.

A sudden wish surfaces: for wings like a dove to fly away and lodge in the wilderness, far from the rushing wind and tempest. Attention then turns to the city where violence and strife appear, where walls are circled day and night, and where desire, oppression, and deceit remain in the streets. The sharpest pain is named next. It is not an open enemy who taunts but a man of equal rank, a close companion and familiar friend with whom sweet counsel was once taken in the house of God while walking in the throng.

The psalm therefore moves from this personal wound to a call for desolation on those whose speech is smoother than butter yet holds war in the heart. Against that backdrop the speaker declares a resolve to call to God, who saves, redeems the soul in peace, and sustains the righteous when the burden is cast upon the LORD.

Where does this passage sit in Psalm?

Psalm 55 follows directly after the shorter prayer of Psalm 54, which moves from a cry for help to a quick declaration that God will deliver. Here the speaker stretches the same basic appeal across many verses, first naming the enemy’s pressure and the city’s violence, then pausing over the sharper wound of betrayal by the man who once walked together in the house of God. The extra length lets the complaint unfold without the rapid turn to confidence that marks the preceding psalm.

The next psalm, Psalm 56, opens with a similar request that God be gracious because enemies press hard. Psalm 55 therefore supplies the bridge: its closing lines about casting the burden on the LORD and the promise that the righteous will not be shaken give way to the renewed plea and trust that begin the following prayer. Evening, morning, and noon complaints appear in both 55 and the surrounding laments, creating a thread of regular, persistent address to God amid ongoing threat.

Within the run of Davidic psalms that occupy this stretch of the Psalter, the pattern repeats: trouble is described at length, a wish for escape or relief surfaces, and the speaker returns to the decision to keep calling on God. The selah after the wilderness wish and again after the note that the enemy has no changes marks the same kind of pause found in nearby psalms, inviting the reader to linger where the thought turns from flight to sustained reliance.

How is the passage structured?

The psalm begins with sustained direct address to God, moving from the request that he give ear and attend to the speaker’s roaming complaint into a description of physical distress caused by the enemy’s voice. After the terrors of death and the covering shudder are named, the voice shifts without transition into a question about receiving a dove’s wing, then states the intention to remove far off and lodge in the wilderness before the rushing wind and tempest. The Selah follows this flight wish.

The next block turns from escape to petition: the speaker calls on the Lord to swallow up the opponents and divide their tongues, citing the violence and strife seen in the city whose walls are circled day and night. The account of evil, trouble, oppression, and deceit in the streets leads directly into the sharper identification of the source of pain. The speaker insists that the one who taunts is not an open enemy but a man of equal rank, a close companion with whom sweet counsel was once taken in the house of God. This recognition issues at once in the call for desolation to come upon them and for death to fall so that they go down alive to Sheol.

A decisive reversal occurs after this imprecation. The speaker now declares personal practice: calling to God evening, morning, and noon, with the result that the Lord saves and redeems the soul in peace from the battle. Another Selah precedes the statement that God hears and afflicts those who have dwelt from of old, who have no changes and do not fear God. Their stretching out hands against allies and breaking covenant is then described through the image of speech smoother than butter yet containing war, and words softer than oil yet drawn swords.

The final movement addresses the hearer with the command to cast burden upon the LORD, who will sustain and never permit the righteous to be shaken, before the closing assertion that God will bring the bloody and deceitful down into the pit while the speaker trusts in him.

What is the historical background?

The superscription identifies the psalm as a Maskil of David, a term that appears in several psalms and likely signals a composition intended for instruction or skillful performance under the temple musicians. Ancient Israelite worship employed such pieces with instrumental accompaniment, and the directive “for the one who conducts, with music” points to a liturgical setting where a choir director would oversee its use.

Selah occurs twice in the psalm. In the temple tradition this word functioned as a cue for a pause, a change in musical texture, or a moment of reflection while the instruments continued. Its presence after the flight wish and again after the description of unchanging enemies suggests the composer expected the words to be heard in a setting where such breaks shaped how the congregation absorbed the prayer.

The speaker’s reference to the “house of God” where sweet counsel once occurred locates the broken friendship inside the religious life of Jerusalem. Pilgrims and residents gathered at the temple courts for worship, legal consultation, and shared meals; a companion met there would have shared both spiritual and civic obligations. The later mention of covenant and allies extends the same social world: agreements sworn before God carried weight in both personal and political relationships, and their violation was understood as an offense against the divine witness.

Evening, morning, and noon mark the rhythm of the speaker’s cries. While later Jewish practice fixed set hours of prayer, the threefold pattern already appears in earlier texts as a way of marking the full day. The complaint therefore unfolds within ordinary civic and cultic time rather than in a single dramatic moment.

Sheol, named as the destination for the treacherous, was the common Israelite term for the shadowy realm of the dead beneath the earth. The petition that the offenders “go down alive” draws on the imagery of sudden judgment seen in the Korah story, where the ground itself opened. The final assurance that bloody and deceitful men will not live out half their days reflects a cultural expectation that God would cut short the life span of those who shed innocent blood or practiced sustained deceit.

What does this passage teach about God?

The opening appeal treats God as one who can be asked not to hide from supplication and who is expected to attend and answer. That expectation persists even when the speaker’s heart trembles and terrors of death fall, showing that the one who prays does not regard inner distress as a barrier to address. The same voice that longs for a dove’s wing to escape the tempest still turns to the Lord with the direct request to swallow up and divide tongues, locating the solution in divine action rather than in flight.

God is presented as the one who saves the one who calls, who hears the voice of complaint at evening, morning, and noon, and who redeems the soul in peace while many remain arrayed in battle. The one who has dwelt from of old is said both to hear and to afflict those who have no changes and do not fear God. These people are described as stretching out hands against their allies and breaking covenant, their words smoother than butter yet drawn swords. The passage therefore distinguishes the God who keeps covenant from the man who violates it, and it places the violation under divine judgment.

The instruction to cast the burden upon the LORD carries the assurance that he will sustain and will never permit the righteous to be shaken. The final line returns the matter to trust: God will bring bloody and deceitful men down into the pit of destruction so that they do not live out half their days. In these verses the righteous are those who continue to call, to cast their burden, and to trust, while the wicked are those whose dwelling contains evils, whose speech conceals war, and whose lives end under the hand of the God they do not fear.

What are the interpretive difficulties?

The psalm never names the companion who once shared counsel in the house of God. Readers therefore encounter the betrayal through the speaker’s description alone, without external markers that would fix the figure to any particular court official or relative. This silence keeps the focus on the personal rupture rather than on reconstructing a specific incident.

The address shifts abruptly at verse 22. After sustained complaint against both the city and the intimate friend, the line “Cast your burden upon the LORD” stands in the second person. Nothing in the preceding verses prepares for this turn, and nothing afterward returns to it. The verse therefore sits between personal lament and general instruction, leaving open whether the speaker is quoting received wisdom or offering counsel to others who face similar treachery.

Plural and singular references to the adversaries also alternate without clear demarcation. The prayer first asks God to swallow “them” and divide their tongues, then narrows to the single man whose speech was smoother than butter. Later verses again speak of “bloody and deceitful men.” The text supplies no explicit link between the one betrayer and the larger company, so interpreters must decide whether the singular stands for the whole group or whether distinct circles of hostility are in view.

The closing imprecation in verse 23 likewise remains unqualified. The speaker affirms that God will bring the offenders down into the pit of destruction and that such men will not live out half their days. The psalm records this expectation without supplying any narrative confirmation that the judgment occurred or any instruction on how later readers should appropriate the same language.

These features do not prevent the psalm from being read as coherent prayer. They do indicate that the text itself withholds several pieces of information that would resolve the questions it raises.

Movement by movement

Plea for Divine Attention55:1-3

The speaker opens by asking God to give ear to my prayer and not hide yourself from my supplication. The request moves at once to a second imperative: attend to me and answer me. Between these lines the prayer is characterized as restless motion rather than settled speech; the one who prays says, I roam about in my complaint and I make a noise. That noise is traced immediately to its source: the voice of the enemy and the pressure of the wicked. The wicked are described as those who bring down evil upon me and in anger they hate me. The verbs keep the focus on what the enemy does and on the audible, bodily agitation it produces in the one who prays. No inner calm is claimed before the appeal is made; the roaming and the noise stand as the very material God is asked to receive. The opening therefore presents prayer as an act that carries the weight of external hostility rather than one that first overcomes it.

Terror and Wish to Flee55:4-8

My heart trembles within me, and the terrors of death have fallen upon me. The physical reaction follows directly from the enemy’s voice and the pressure of the wicked who bring down evil. Fear and trembling come upon the speaker next, with shuddering covering him entirely. This bodily distress prompts the direct question, “Who will give me a wing like a dove, that I may fly away and dwell?” The image of the dove’s wing shifts the complaint from what presses in to a desire for distance. The speaker then states the intention plainly: to remove far away to wander and lodge in the wilderness. That wish is set against the rushing wind and the tempest, the same forces that now surround him in the city. The Selah after this declaration marks the pause between the flight of imagination and the return to direct address that follows. The longing remains a voiced desire rather than an accomplished departure, leaving the tension between remaining under attack and escaping unresolved at this point in the psalm.

Prayer Against the Violent City55:9-11

The speaker addresses the Lord directly with the command to swallow them up and divide their tongues. That request arises from what has already been seen in the city: violence and strife. The description that follows fixes attention on the walls, which the inhabitants circle day and night, while evil and trouble remain inside. Desire stays within her, and oppression and deceit refuse to leave the streets. The repeated language of constant motion around the perimeter and of persistent conditions within shows a place whose disorder never pauses. By naming the city as “her,” the verses treat the whole urban space as a single entity whose streets and walls together sustain the same pattern of harm. The petition therefore asks God to act on the tongues that keep this pattern alive rather than on any single person. The earlier wish to fly away from the tempest gives way here to a plea that the source of the storm itself be disrupted at its center.

Pain of Betrayal by a Friend55:12-15

The speaker measures this injury by what it is not. No enemy who taunts or outsider who hates has done the damage; the one who magnified himself against him belongs instead to the speaker’s own rank. The man is named a close companion and familiar friend, the very one with whom sweet counsel was once taken in the house of God while walking together in the throng. That former companionship inside the place of worship fixes the wound’s depth. The prayer therefore turns at once to the betrayer’s end: desolation is asked to come upon them, death to fall, and descent alive into Sheol, because evils now fill their dwelling place in their midst. The shared memory of counsel given and received among fellow worshipers leaves no room for treating the offense as ordinary enmity.

Sustained Prayer and Final Trust55:16-23

The speaker marks a turn by declaring, "As for me, I call to God, and the LORD saves me." Prayer now occurs at fixed points through the day—"Evening and morning and at noon I complain and moan"—and the voice reports that God hears. Redemption arrives as peace drawn out from the surrounding battle, even while many remain arrayed against the one who prays. God, the one who has dwelt from of old, hears and afflicts those who show no change and refuse to fear him. The description then returns to the betrayer who once shared counsel: he stretches out his hands against his allies and breaks his covenant, his speech smoother than butter yet holding war in the heart, his words softer than oil yet drawn swords. Abruptly the address changes: "Cast your burden upon the LORD, and he will sustain you; he will never permit the righteous to be shaken." The psalm closes by returning the final word to God, who brings the bloody and deceitful down into the pit of destruction so that they do not live out half their days, while the speaker simply states, "I will trust in you."

Notes accompany the Anselm Project Bible, an AI translation from the original languages. Tap any verse above for the committee's word-level decisions.

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